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Letter from the Editor
Janna Marlies Maron
Summertime Comfort
We made it to July 2021. Can you believe it?
I say this every July: I love summer. But it’s been a while since I’ve looked forward to summer as much as I am this year.
Last year this time my editor’s letter included the pandemic, political unrest, and racial tensions. We certainly have not moved completely beyond any of these problems, but we’ve made some baby steps forward. At least I hope so.
In the last year I have seen more awareness and willingness to talk openly about tough issues. And while that may not be enough, it is a start in the right direction and that feels like a bit of a respite. Even if you don’t see it or feel it, we all definitely need a respite and that is what summer has always been for me.
This year the respite that summer offers may be a little bitter sweet as it brings the anticipation of opportunity for travel and recreation, which is wonderful and exciting—but with it also comes the stress and anxiety of the familiar pressure to fill up our schedules again.
The demands on our time—I’m not ready!
But the thing I keep reminding myself of and keep coming back to is this: The world will not end if you press pause.
I mean, didn’t we learn this lesson to the extreme in the past year? The world certainly did not end when we all came to a screeching halt for more than twelve months back in March 2020. Sure, it brought its challenges, but haven’t we learned and grown through them? Isn’t that what facing challenges is all about?
So now as economies begin to re-open (here in California, we officially reopened on June 15), I am still pressing pause at strategic moments throughout my work week and, heck, even multiple times during one day! And one of the best things to do when I’m pressing pause is to settle in with some personal stories, where I always find comfort.
This issue is no different. With stories ranging from connecting to the land, the life adjustments that come with a first-born child, and memories of music that reverberate in our bones, to the struggles of adolescent body image, the joy of chasing around a grandchild, and the grief over the life we could have had, this issue touches on both pains and pleasures of our human existence.
It’s perfect for summer reading, which is exactly what I’ll be doing, starting….NOW. Happy summer reading, my friend. Let these stories comfort you as they have me, and share them with someone else who might need the respite of a little summertime comfort.
Yours in storytelling,
Janna Marlies Maron
Editor & Publisher
Contributing Authors
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Diana Gittins
Diana Gittins
Wild Oregano and ThymeIn 1967 I was renting a one-room basement apartment in a working-class area of Athens. The windows were just above street level and offered a view of feet, wheels, and paws.
Every day at six in the morning a knock clattered on the metal shutters above my bed. I staggered to the kitchen corner to get my bowl, opened the shutters, exchanged kalimera, good morning, with a small, leathery man who always had a cigarette dangling from his mouth. From the back of his motorized cart he lifted a block of ice, bent down towards my window and plonked the ice into the bowl. I took the ice to the lead-lined icebox I had bought in the flea market in Monastiraki, made a coffee on the hot plate and started to write. My plan was to settle in Greece and become a writer. I supported myself by teaching English in the evenings.
I wrote until the fishmonger came singing his wares down the street a couple of hours later. His face was a dried-up river bed. He walked with a steady rhythm and had a flat straw basket of fish perched on his head. Behind him paraded a motley assortment of scrawny cats, whose plaintive cries almost drowned his own. When other people were on the street, he made as if to kick the cats and swore at them. But when he thought nobody was looking, he slipped them tiddlers and muttered to them softly.
Diana Gittins has published four works of nonfiction and two poetry pamphlets. Her creative nonfiction has been published in The Mechanics’ Institute Review, On the Seawall, Tears in the Fence and BRAND. Born in the USA, she worked in higher education for a number of years and now lives with her husband in East Devon. She is currently working on a memoir set in the early 1980s and loves early mornings, cats, and Bach.
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Annie Penfield
Annie Penfield
FleetingWe build our own little world. And within this world, the children create another little world. I work in my over-ambitious garden by the chicken house.
I have dug out the seasonal spring to capture the water in a stone basin. The kids revel in the dirt pile: “Mud Chiefs” is the name of the game. It’s not “King of the Mountain,” or building roads for matchbox cars, but something that involves smearing mud over their entire naked bodies and running up and tumbling down the mound. They do this for hours, and I can see them from the tractor as I mow the pastures, hacking back our parsnip invasion, in an effort to support healthier legumes for grazing. In an effort to establish control.
The August-high parsnip plants hit the bucket of the tractor. The seeds flick onto the hood, slide the smooth green surface bouncing with the turbulence of the engine, and cascade the crown to fall back to earth. Parsnip is not kind: opportunistic, it spreads wildly across our hay field and seeks out small cuts in our skin. It finds little fissures to implant its poison. If not washed off quickly, it will spring to life as blisters on our bodies. Painful blisters that pop and their footprint remains a red circle on the skin for months. The marks remain long after the pain, and in a few months’ time finally fade. It’s a way the land teaches respect, and I respect the parsnip, but I still want to get rid of it.
Annie Penfield is a graduate from the MFA in Writing Program at the Vermont College of Fine Arts. Her work has been published in Catamaran Literary Reader, Fourth Genre, Hunger Mountain online, r.kv.r.y, Equestrian Quarterly, Assay, Beautiful Things, Prairie Schooner online, and forthcoming in Ninth Letter. She lives in Vermont and is working on a narrative based on her essay “The Half-Life,” winner of Fourth Genre’s Steinberg Essay Prize and a Notable Essay by Best American Essays.
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Cicily Bennion
Cicily Bennion
The Thought of UsIt’s embarrassing to admit this, but there have been nights when I’ve cried for our old apartment. Not gracefully, either, but in choking, gasping sobs, which I tried to muffle with a pillow so that my mother-in-law sleeping across the hall would not hear.
My husband, Nathan, would try to point out the silver linings as he wiped away my tears—we were saving so much money on rent and food, my commute to school had practically disappeared, and this new place, when we finally moved in, would have a room for a nursery. When that didn’t help, he’d admit that he missed it too. Together, we would list the things we missed: How the morning sunlight gave color to our gray walls in the winter; how we read barefoot on the patio together in the summer. He missed walking to the movie theatre together on a weeknight. I missed the sound of his footsteps coming down the corridor, the sound of him coming home. And then, having exhausted myself with memories, I’d fall asleep on the mattress that still did not want me.
Cicily Bennion is a writer and essayist. She is a PhD student and Voertman-Ardoin Fellow at the University of North Texas. Her essay, “About Boredom,” was recognized in Best American Essays 2020, and her work has been published in Mount Hope, The Windhover, The Journal, and elsewhere. Cicily serves as a managing editor of Fourth Genre: Explorations in Nonfiction and lives in Texas with her husband and young son.
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Zoe W. Briscoe
Zoe W. Briscoe
Sweet and SourKit Kats were worth jail time. At the Target checkout, I waited for the right moment to strike.
The window of opportunity rested on the convergence of several things: One, Mom would walk ahead of me towards the register. Two, the cashier’s eyes would lower after his customary half-hearted greeting. Three, I would be just close enough to the boxes of candy to get what I wanted without drawing suspicion. Mom held her Visa, overseeing the flow of lettuce, carrots, and Diet Mountain Dew into bulls-eye-stamped plastic bags. Together, they would make up my breakfast, lunch, and dinner for the next three weeks until I performed in my upcoming ballet competition.
Zoe W. Briscoe is a junior Creative Writing major at Emerson College. Her work has previously been published in UReCA: The NCHC Journal of Undergraduate Research and Creative Activity and is forthcoming in Glass Mountain. After graduating, she seeks to pursue a career in both fiction writing and academia. She currently resides in Austin, and in her spare time she can be found playing Sudoku or watching the latest figure skating competitions.
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Cyndie Zikmund
Cyndie Zikmund
DuendeOut of the darkness, a dancer appeared. The diffused beam surrounded her in particles of light, illuminating her curvy figure as she took the stage with the presence of a bullfighter
Her shadow fell like a veil, dropping a silhouette that was neither forced nor natural.
I imagined she was angry. She detested the pain in her life, but she confronted her losses the way I longed to defy my own. The dancer held her position, contemplating the next move. I memorized her features, arm positions, and every detail of her dress: Its high waist, scooped V-neck, triple ruffle running diagonally around her toned body until it graced the floor. When she slowly turned to face the audience, her eyes were fixed downward, not yet acknowledging the room of strangers. Her hands started clapping in counter rhythm while the music grew louder. My eyes were glued to her, goosebumps traveling from spine to scalp. The dancer lifted the skirt of her long, black dress, shifted her gaze to the audience, and started to play percussion with her shoes.
Cyndie Zikmund’s essays have appeared in The Literary Traveler, Magnolia Review and Pink Panther Magazine. Her book reviews have been published in River Teeth and Southern Review of Books. She served as CNF Editor for Qu Literary Magazine and The Magnolia Review. Cyndie holds an MFA from Queens University of Charlotte, an MBA from Santa Clara University, and a BS EECS from UC Berkeley. She is currently finishing work on her memoir, Oreos, Red Wine, and a Hot Bath.
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Susan Vespoli
Susan Vespoli
Pointers for Spending 24 Hours with a Five-Year-OldIf you get the opportunity to hang out with a five-year-old for twenty-four hours a week during not only a blazing Phoenix summer but a pandemic, rejoice!
You won’t have a moment of privacy (think sock puppet shoved under the bathroom door and “Grandma, Grandma!” while you’re sitting on the toilet), but you’ll be so busy spinning in the wake of a happy tornado, you’ll never even have time to think about the apocalypse, not to mention your long-term relationship in crisis or the loss of your beloved dog. The dog that was kept by the man who said you do not “meet his safety guidelines” due to your watching this young dervish while your state’s COVID numbers shoot through the roof. No worries. You and the little girl can have the time of your lives if you just:
Let Her Cook:
Each week, plan something (anything) she can cook. When you were a Montessori teacher back in the day, the once-a-week cooking projects were the kids’ all-time favorites. Let her squeeze lemons to make lemonade, press cookie-cutter hearts into pie crust, bake cupcakes, crisscross peanut-butter cookies with a fork, slice bananas, top pizza with shredded mozzarella, and crack an egg. Listen to her say, “This tastes like joy!” when she bites into the cupcake or, “Oh, my goodness, look at all this egg jelly!” as the yellow and clear goop oozes into the bowl like slime.
Susan Vespoli writes from Phoenix, Arizona. She returned to school in her fifties to earn an MFA from Antioch University L.A. Her work has been published in Rattle, Nailed Magazine, Nasty Women Poets: An Unapologetic Anthology of Subversive Verse, Mom Egg Review, Emrys Journal, and others. When Susan’s not writing essays and poems, she’s leading virtual writing circles on writers.com, playing with her granddaughter, walking her two small rescue dogs, or riding her blue bike.
Contributing Artists
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Photo Essay, Shaylin Wallace
Shaylin Wallace
Photo EssayShaylin Wallace is a graphic designer and artist who creates content for businesses and individuals. From cover art to logos and apparel designs to advertising media, she uses Adobe Illustrator and Photoshop to create defining content for brands. Wallace specializes in photo-manipulation and photo-editing. She creates surrealistic, imaginative pieces by combining multiple images and clip art. She has been editing photos for six years and had her first gallery exhibition in Fall 2018.
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Cover and Visual Art, Fernando Gaspar
Fernando Gaspar
Cover and Visual ArtFernando Gaspar is a self-taught visual artist whose first exhibition was in 1986. In the time since, he has exhibited regularly in art galleries throughout Portugal. His first solo exhibition outside Portugal took place in 1995. He is the recipient of National Prizes, collective participations, and has had more than 50 solo exhibitions both in Portugal and internationally.