What’s inside the issue?
Click the links for a teaser excerpt of each piece…
Letter from the Editor
I recently went to the DMV for the fifth time since
July attempting to get my driver’s license renewed.
The ordeal involved a form my eye doctor had
to fill out because of a vision condition I’ve had
since birth called amblyopia. Because the DMV
had no record of my condition on file (for some
unexplained reason), every time I thought the
issue would be resolved they kept insisting I’d
have to take a behind-the-wheel drive test, which
would qualify me for a “provisional” license and
I’d be required to take the drive test every year for
the rest of my life.
I’m simplifying due to space, but needless to
say this was causing me a lot of stress, anxiety,
and anger. I was irate that getting my license as
a teenager, and renewing it every five years, had
never been a problem—yet suddenly, at forty-
four, I was being treated as if I wasn’t fit to drive.
On my last visit to the DMV my husband
Jeremy came with me for moral support and
we went to a different office location on the
recommendation of a good friend. As soon as
we got on the freeway, GPS alerted us that what
should be a twenty-five minute drive would be
more than an hour. There was a huge crash.
I was getting agitated. We couldn’t decide if
we should take the alternate route. Jeremy and I
got into an argument about which way to go.
When we finally decided on the alternate
route, one that took us way north to avoid the
accident, we got there in forty minutes instead of
an hour. Once we were out of the traffic, I said
out loud, “We are delayed because we need to
arrive at the exact right time and talk to the exact
right person.”
At the DMV counter a woman took all my
paperwork over to her supervisor. I was nervous,
worried that she would tell me the same thing. I
watched them walk over to a shelf, the supervisor
pull out a notebook, then return to the station
where we waited. The first thing out of the
supervisor’s mouth was, “My son has amblyopia.”
I nearly started crying right there in the DMV.
She pointed to a page in her notebook and
said, “Yep, amblyopia is a static condition, she’s
good to go.” And just like that, after five months of
consternation, my license was renewed.
Maybe this seems unremarkable, but this
happened back in November and I’m still talking
about it. That’s the miracle of stories—they uplift
us, give us hope, and remind us that every story we
tell has a ripple effect. Because this story is more
like three stories: The main story of course is the
experience itself of getting my license renewed,
but there is also the story I told myself about why
we were delayed on the way to the DMV, and the
story that the woman told us about her son having
the same obscure condition as I have.
Every story in these pages is also its own
miracle. One the author had to write and feel
ready to send out, one that had to make its way to
us, and one that rose to the top of our submission
queue. If you think about it like that, it’s a miracle
every time we publish a new issue—one that I
hope helps you to see and experience miracles in
your own life.
Happy new year and here’s to telling stories
without shame,
Janna Marlies Maron
Editor & Publisher
Janna Marlies Maron
Editor & Publisher
Contributing Authors
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Michael DuBon
Michael DuBon
Baby Bird, Bagel, Butter KnifeThe baby bird lay twitching on a bed of pine needles while the hot morning sun beat on its nascent wings.
My brother Daniel and I watched as its chest rose steadily amidst the occasional spasm, which was accompanied by a reedy whistle from its damaged lungs. For such a little bird, a
lot of blood coated the pine needles. Daniel was small too, and I’d made him bleed a lot.
I was eleven and Daniel was seven and it had been a pretty successful year of “jodiendo” as my parents called it—a game in which I bothered Michelle and Daniel, and by extension my parents—all to ensure I was never overlooked in the family. With my parents’ attention split between me and my brother and sister, I was jealous that I was no longer the center of attention, and so I concluded there was no other role I could play in this family other than to joder. I saw the wounded baby bird as another great opportunity for me to joder.Michael DuBon is a first-generation American citizen of Guatemalan descent and a first-generation college graduate. His poetry has appeared in The Meadow, Rising
Phoenix Review, and The Museum of Americana, and his creative nonfiction has appeared in The Plentitudes and Heartwood. He is currently tenure track English faculty at Everett Community College. At his most natural, he is laughing and smiling like no one is watching—because he’s usually by himself anyway. -
Wendy A. Miller
Wendy A. Miller
Running Through MenopauseIt was losing my girly parts—outsides and insides—to cancer that threw me into early menopause.
Now pessimism, moodiness invade my brain. So, I run. I run from anger. I run to clear my head. I hate the bitterness, and I hate running, but I can’t stop.
I blame-thank my husband for my running addiction. In my late twenties, I complained to him that my fat pants didn’t fit. Matt, an avid runner, suggested I try running. “It’s healthy and will get you in shape.”
“Me, run?” I said with a laugh. I was a high school cheerleader in the eighties, when it was about the skirt instead of basket tosses. Perspiring wasn’t anything I had ever aspired to do.Wendy A. Miller draws inspiration for her writing while meandering among the Douglas fir trees near her home in Oregon. Her essays are in anthologies by the Personal Story Publishing Project and featured on their 6-Minute Stories podcast. Other work has appeared in The New York Times Tiny Love Stories, Star 82 Review, Literary Mama Blog, Grown and Flown, and more. Her website is wendyamiller.com.
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Victoria Lewis
Victoria Lewis
Just One FemaleAt the end of September, at ten in the morning, I throw a crab trap over the side of our sixteen-foot Smoker Craft into Netarts Bay on the Oregon coast.
I gather up the buoy and nylon rope and toss them in after the trap. In the stern, my husband pulls ahead twenty feet, throws the second trap, settles back in his swivel chair, and lights a Marlboro. It’s low tide, so a lot of line floats on the surface. We’ve caught eight crabs so far. Not great, but at least we won’t get skunked. We’ve thrown back all the females and
undersize males. The last three pulls were so heavy my husband helped me heft the trap
over the gunwale and dump it on the floor to sort.Victoria Lewis grew up on the Oregon coast, and worked as a waitress and in the printing industry. She also taught school and worked as a computer programmer. She lives in Portland with her husband. She likes to run and hike.
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Megan McOmber
Megan McOmber
Late AugustMy daughter finishes her first summer with sunbleached hair, lighter than the dead grass in our yard.
She plays within my arm’s reach, but I can already feel her slipping. Something about the way she fights my hands as I rub in another layer of sunscreen. Her skin glows with that
grease. It makes me think of us—the “us” that spent summer days a little too far from
home for a little too long. You and me and so many kids we knew.
Our summers were hot. The smell of tar thick in our brains, the kind that held the imprints of our hands and stained our palms. Red welts rose on our legs from sitting sweaty in the crabgrass. We picked bubbling paint off the splintered picnic bench and laid it on our
sticky skin—molting our scales to go inside, but little flecks stuck in our hair like stars. Do you remember how hot it was? Lying in bed sweating, sitting in the car sweating, eating
Otter Pops sweating, hugging and throwing and kissing and fighting and plotting and sweating.Megan McOmber is currently an MFA student studying Creative Nonfiction. Her other writing is published or forthcoming in Mount Hope Magazine and The Pinch. She can most often be found
running or reading the same book for the eighth time to her two year-old daughter. -
Carolyn Pledge-Amaral
Carolyn Pledge-Amaral
Out of the Frying PanHalfway through Jacques Cartier’s exploration of the St. Lawrence, headlights flashed along the David Cassidy poster plastered to my wall.
The bang of the truck door, the squeak of snow, then the thud of boots on the kitchen floor told me my father was home. With my mother on the mainland taking a course for her teaching certification, I closed my history book and heeded the warning bells that summoned me downstairs.
My father stood in the middle of the kitchen still wearing his work coat and boots and holding a Sobeys bag. Stumbling as if the floor had moved, he steadied himself against the wall, snow melting in a puddle under his feet.
“Where’s Brenda?”
“Upstairs.”Carolyn Pledge-Amaral is a graduate of Florida International University with an MFA in Creative Writing. Her work has been published in Spry Literary Journal, The Citron Review, Feathertale Magazine, and Mud Season Review. Raised on Cape Breton Island, Carolyn has spent the past forty years between Toronto, Miami, and Bermuda, where she now lives. When she’s not slogging away at rewrites for her first novel, she’s teaching English or working on completing a memoir, entitled Tailspin.
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Christian Harrington
Christian Harrington
The Best SportNo matter what my mother held up for review, my
answer remained the same, “Trash.”I am either the best or the worst person to assist with a basement cleanout. As I saw it, my parents’ basement contained no forgotten treasures. It was a place for mice, moldy file boxes, and equipment for sports no one had played in a decade. My mother is no hoarder, but she fears the crushing regret that comes from one day needing something she’s tossed. I understood, but not when the objects in question were a broken VCR, headless rocking horse, and my brother’s clay rendering of a boat shoe.
Christian Harrington is a writer and teacher in the Boston area. His work has appeared in The Los Angeles Review, Hippocampus, Pangyrus, and elsewhere. He holds an MFA in Creative Writing from Emerson College. More work available at: christianpharrington.com
Contributing Artists
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White, Silence, Sea, Rock, Nathan Wirth
Nathan Wirth
White, Silence, Sea, RockNathan Wirth is a photographer whose work depicts the silence that can still be experienced in a world of ever-increasing auditory and visual noise. For the past decade, he has been integrating Japanese traditions of Zen, rock gardens, ma,and calligraphy into his work. He uses a variety of techniques, including long exposure, infrared, intentional camera movement and compositing.
Nathan was born and raised in San Francisco, California and earned both his Bachelor of Arts and Master of Arts in English Literature. He now lives in Marin County and teaches English Composition at City College of San Francisco.
A Slice of Silence, a book of his images—some of which have been paired with essays and poetry—is forthcoming from Chin Music Press.
sliceofsilence.com -
In Our Hands We Hold Our Future, Keemo
Keemo
In Our Hands We Hold Our FutureKeemo is an artist whose work focuses primarily on abstract figures and portraits that explore relationships and the connections between communication, love, nature, the mind, and the heart. His colorful and accessible work is found in public, private and commercial collections worldwide.
KeemoGallery.com