What’s inside the issue?
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Letter from the Editor
Janna Marlies Maron
Choose Love
A few months ago I started something new with my clients. At the beginning of our group sessions I draw a card from my The Universe Has Your Back oracle deck. The day after the shooting in Uvalde, Texas the card I picked said:
I choose love no matter what.
During that client session, we talked about how easy it is to feel like our creative work is futile when these horrors happen. How it feels like our stories don’t matter. Like they are so insignificant. How can what we have to say even matter when others are suffering so much?
I choose love no matter what.
In this case, choosing love means living our lives to the fullest. Because if we don’t, then guess what? The guy with the gun wins. If we give up on our lives, if we stop enjoying beauty, stop telling our stories, stop creating art, if we stop living, then it doesn’t matter where he is. He wins.
And we can’t let that happen.
I choose love no matter what.
I’ve decided that choosing love for me means a few specific things and I wanted to share those with you.
By choosing love:
- I commit to doing my job and my job only. Telling true stories. Making space for and holding true stories.
- I do not feel pressure to respond to or make statements based on the news cycle, and I share what is in my heart out of love, not obligation.
- I give myself permission to stay focused on the work I’ve set out to do in this world and to not get caught up in what I’m “supposed to” do or say based on circumstances that change every day, or in an effort to demonstrate that I’m relevant.
- I allow myself to take action when I am able and release the need or desire to share publicly because the only person who needs to know what I do or don’t do is me (and maybe my husband).
- I trust that my audience are people who know and understand me, and will not flippantly cast judgment because of something I do or do not say.
I’m sharing this with you because “I choose love no matter what” is a mantra that gives me permission to release frantic energy and to respond in love—love to you and to those around me, but also to myself.
I’m also sharing this with you so that you can understand why the work of publishing Under the Gum Tree continues to be so important—and why your receiving the stories in these pages is just as important.
Stories teach—and compel—me to choose love no matter what. I hope they do the same for you.
Janna Marlies Maron
Editor & Publisher
Contributing Authors
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Steph Auteri
Steph Auteri
My Father's Hands (In Three Parts)I knock on the laundry room door. “In a minute!” he says, voice muffled. I hear him moving around, papers shuffling, the flick of a light switch.
He opens the door. I slide in and shut it behind me. To the left is the table with the hamper, the extra-large bottle of detergent, a precarious pile of tablecloths and old, ripped-up rags. But in front of me is where the real work happens, the washer and dryer serving as a countertop for an enlarger, three developing trays all in a row, a single set of tongs.
Steph Auteri is a journalist who has written for the Atlantic, VICE, Pacific Standard, Rewire News Group, and other publications. Her more literary work has appeared in Poets & Writers, Southwest Review, Creative Nonfiction, and elsewhere. She is the author of A Dirty Word and the founder of Guerrilla Sex Ed.
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Carolyn Dawn Flynn
Carolyn Dawn Flynn
What Happens NextIn our last month together as mother and child, my seventeen-year-old son and I approach the aspen grove where the marriage that created him and his twin sister met its shattering end.
Today he’s choosing the hiking trail, and I’m pretending not to remember the emotional geography of this place. Our conversation will stay safely in the future—his senior project on supercomputers, then high school graduation, Arizona State University for a bachelor’s in computer science and on to a doctorate in artificial intelligence, work at NASA or a savvy startup. He has it all mapped out.
Carolyn Dawn Flynn is the author of Boundless, a becoming-of-age memoir, longlisted for the Mslexia memoir prize. An award-winning author, longtime journalist, magazine editor and TEDx speaker (“Tell A Better Story, Live a Better Life”), she lives in Albuquerque, New Mexico. Find out more at carolynflynn.com.
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Carly Parker-Plank
Carly Parker-Plank
These Dreams“What kind of records, specifically?” I ask Sarah as I climb over and sort through boxes, working my way to the back of the narrow storage unit.
The rush of traffic echoes each time the light changes on the busy street nearby. The storage unit is filled with the contents of the apartment Sarah had shared with her wife Aimee. Sarah seems to prefer to let me do the sorting and climbing, perhaps to avoid sifting through memories of a now-former life. I don’t question her; I don’t mind.
I’ve been looking for a birth certificate, financial or medical records. I am sweating—it’s Michigan in mid-August, that midwestern, late-summer light beaming golden across the boxes as dust and pollen hover in the stagnant humidity. Sarah stands at the entrance to the storage unit, directing me as I report what I find in each box—kitchen appliances and utensils, Christmas cards from friends, notebooks filled with Aimee’s poetry, concert T-shirts from when she’d worked at the arena downtown, the Wonder Woman wallet I gave her. At one point I hand Sarah some banking records; she accepts them without comment.
Carly Parker-Plank writes, teaches, and manages an ice cream shop in Grand Rapids, Michigan. She earned her Master of Fine Arts degree in Creative Writing and Pedagogy from Miami University in Oxford, Ohio. Her essays and short stories have been published in Crab Orchard Review, Contrary Magazine, and Aethlon. She lives with her wife, two dogs, and a cat in the village of Ravenna, Michigan.
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Miriam McEwen
Miriam McEwen
Good Nirvana Songs for Destroying Your Memory and Starting OverYou catch a glimpse of me in a bar in the early autumn of 2013, and you might even know me from our high school days.
But I like to think my power chair is not so noticeable, even though it clicks and flashes green whenever I move. Alternatively, I like to think I am at once recognizable by the way my eyes light up when a flannel-clad philosophy professor in his mid-forties works the death of Kurt Cobain into casual conversation.
“He was taken from us much too soon,” he says, as if the Nirvana front man was one day beamed up by the grunge extraterrestrials who were good enough to loan him out.
Miriam McEwen writes about disability and bodily autonomy. She holds an MFA in Writing from Vermont College of Fine Arts. She copy edits for 3rdThird Marketing, serves as an associate editor at the South Carolina Review and as co-editor for The Swamp. Miriam’s work is anthologized in The Best Small Fictions 2022, and has appeared or is forthcoming in SAND Journal, Tilted House Review and South Carolina Review, among others. She lives in the foothills of South Carolina. Find her on Instagram @miriammcewen.
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Myrna CG Mibus
Myrna CG Mibus
Toad In the HoleWe are at the stove.
I am probably ten—perhaps younger—at an age when I had to look up to you.
You were so tall, so handsome with your dark, wavy hair and blue eyes. You didn’t normally cook, Daddy. You certainly didn’t bake and were not often in the kitchen.
But on this day, Mom is not cooking, and I am standing at your side—me with my reddish-brown hair and your blue eyes, looking up at you, watching you, listening to you tell me how to make that wonder of egg and bread—Toad in the Hole.
Myrna CG Mibus is a writer and bookseller who lives in Northfield, Minnesota. She writes articles on topics ranging from aviation to afternoon tea, and essays on family, motherhood, and life. Her articles and essays have been published in a variety of publications, including Feminine Collective, the Minneapolis Star Tribune and Wanderlust Journal. When she’s not writing, Myrna enjoys baking, bicycling, gardening, reading and being mom to her two young adult children. Read her work and find out more about Myrna at myrnacgmibus.com.
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Susan Bruns
Susan Bruns
My Father Makes Breakfast, 1971This morning is not like any other. You woke us from our beds, two tousle-haired, sleepy girls whose mother is gone.
It is summer, and there is work to do on the farm, and that is why you could not go with our mother who already left an hour ago, rising in the blue dark before dawn to make the drive to see your youngest daughter, our little sister, who lies in a body cast in a hospital three hours away.
You have made toast and set out honey. You have sliced peaches into bowls. You have poured orange juice, but we want only our favorite cereal. I am amazed at all this because you have never once cooked a meal. You have never once even served us.
Susan Bruns is a writer living in southern Idaho. Her essays and interviews have appeared in The Sun, Lithub, Brevity, Creative Nonfiction, and The American Oxonian. She is the recipient of a Surel’s Place artist residency and a former artist-in residence at the Monastery of St. Gertrude. She was a 2021 finalist for the Richard J. Margolis award for social-justice journalism. Bruns is now working on a memoir about her sister’s journey through drug addiction, incarceration, and recovery. Find more at: susanbrunsrowe.com.
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Steve Oberlechner
Steve Oberlechner
Full ServiceOut of the haze of heat over New Salem Road, Todd’s white Lincoln Town Car shimmers, solidifies, and speeds forward.
He slows near the fuel pumps, cranes his neck towards the garage bay—where Karl and Joe are replacing an exhaust pipe and muffler under a rust-pocked Buick Skyhawk—then accelerates east toward Uniontown.
It’s early August, a Saturday, and I’m seventeen, sweating on a barstool in the stuffy office at Karl’s Sunoco as I stare through a window at the quiet stretch of road, waiting for a customer to pull in to the pumps.
Steve Oberlechner lives with his wife and daughter in Keyser, West Virginia, where he teaches composition and creative writing at Potomac State College of West Virginia University. His previous work has appeared in The Gettysburg Review, Prairie Schooner, The Cimarron Review, Kestrel, and elsewhere.
Contributing Artists
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Photo Essay, Dorota Marcinkiewicz
Dorota Marcinkiewicz
Photo EssayDorota Marcinkiewicz is a photographer whose subjects are environments that are untouched by people, and represent otherworldly landscapes. Her work has been widely exhibited in The Netherlands, where she lives. dorotamarcinkiewicz.nl
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Cover Art, Pam Avery
Pam Avery
Cover ArtPam Avery is a painter whose inspiration comes from life experiences, dance, and colors in nature. She focuses on a united composition that allows the eye to follow a path through the painting, which draws the viewer into the work. Her paintings have received awards from the California State Fair, and from galleries throughout Northern California. Pam received a B.A. in studio art from UC Berkeley, and an M.A. in art education from California State University Sacramento. She was a high school art instructor for 21 years. pamaveryart.com