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Letter from the Editor
When I attended the Association of Writers and Writing Programs (AWP) annual conference in Kansas City earlier this year, I allowed myself a shortened trip to accommodate new health challenges since my MS relapse eighteen months ago that now make traveling, especially alone, more taxing than usual. Whereas I usually arrive on Tuesday or Wednesday of the conference week, this time I arrived on Thursday so I could attend the off-site reading that Under the Gum Tree co-hosts with the other creative nonfiction publications Hippocampus Magazine, River Teeth, and Fourth Genre.
By the time I arrived on Thursday evening, the Lyft driver who picked me up at the airport and took me to my Airbnb had already given rides to many other writers in town for the conference. He was from India and enthusiastically shared with me how all the writers he had met in the last three days were so wonderful, kind and friendly.
He told me the names of two of his favorite Indian writers and asked if I had ever heard of them, or read anything by them. I asked if any of their work had been translated to English. He responded by laughing and said no, realizing it would be impossible for me to have read their work.
But then he went on to tell me how impressed he is by writers, no matter who they are.
“You have magic in your hands,” he said. “You tell stories, and you have the power to make change with the words that come from your hands.”
It was dark and so he probably couldn’t see me grinning from ear to ear in the back seat of his car. Nor could he see me tearing up.
To think about magic being in my hands—the hands that were debilitated by neuropathy for more than a year and unable to type or write with a pen. Those hands certainly didn’t feel magic to me.
But I have recovered enough to use the computer keyboard for short bursts, about an hour at a time now, and I was struck by this Lyft driver’s earnest awe of what writers do with their hands. In spite of the challenges I’ve had over the last eighteen months, it gave me a new appreciation for my own hands.
The writers featured in this issue have magic in their hands too, and they have used it to share stories about the heartache of making friends in adulthood, life-changing bonds with beloved pets, recipes that bring family memories back to life, the uncertainty of adolescent romance, and finally letting go to make room for new possibilities. With these pages, we’re passing their unique, personal magic on to you.
Here’s to telling stories without shame,
Janna Marlies Maron
Editor & Publisher
Contributing Authors
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Jill Jepson
Jill Jepson
A Circle of FriendsI once got so sad at a party that I left, feigning a headache, and drove around the corner to sob in my car.
I wasn’t a teenager suffering some adolescent cruelty, but a professional woman with a successful career and a happy marriage. And I was lonely. For years, I had suffered from an acute sense of isolation, causing me so much pain that even a party for a colleague was too much to bear. That afternoon, as friends hugged, shared news, and reminisced, conversations I wasn’t a part of, I experienced a familiar ache. The people around me formed circles of connection and rapport, while I floated on the periphery, alone.
I’d lived in the green and spacious Midwestern city I called home for twenty years. I came for a job, in a year when nearly everything in my life changed for the better. After an exhausting job search, I had finally landed a coveted tenure-track university teaching position. I went from barely putting food on my table to paying debts and starting a 401(k). The urban area I moved to was blessed with shimmering lakes, leafy parks, and cultural amenities which regularly placed it on lists of the best cities in the US to live. To make things nearly perfect, I soon met a kindhearted, intelligent man and fell in love. But my new life came at a cost. It meant leaving a host of cherished friendships.
Jill Jepson is the author of Writing as a Sacred Path and Women’s Concerns: Twelve Women Entrepreneurs of the 18th and 19th Centuries, and the editor of No Walls of Stone: An Anthology of Literature by Deaf and Hard-of-Hearing Writers. Her work has appeared in The San Francisco Chronicle, A Woman’s Path: Women’s Best Spiritual Travel Writing, Gordon Square Review, and other literary journals.
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Charmaine Arjoonlal
Charmaine Arjoonlal
That Look“What are you doing to my dog?”
I shouted to the shouter when I crest the hill to see Buzzy holding a tall, thin man hostage, his back pressed against a rough pine tree, his shiny mountain bike in front of him like a shield, yelling, “get away,” “get,” “get away” to our black and white Blue Heeler cross, who, all hackles and teeth, looks like a mishmash of porcupine and werewolf, the glint of the bike a red blanket in a bullfight and I flash back to proudly choosing Buzzy from a litter of nine because when the cranky guy chucked frozen fish at them, Buzzy appropriated one for himself, leaving his siblings to fight for the other and I had that shimmer of doubt (again) that I hadn’t chosen well but the man in the crisp mountaineering clothes took one look at my face, leapt onto his bike to speed away
Charmaine Arjoonlal is a writer and social worker who lives with her husband and two spoiled dogs in Whitehorse, Yukon, Canada. When she’s not squeezing in writing, she enjoys hanging out in coffee shops, biking and swimming in cold lakes. Her writing has appeared or is forthcoming in The Rumpus, Reckon Review, Last Stanza Poetry Journal and elsewhere. You can find Charmaine on x/twitter @arjoonlal, on Instagram @charmainearjoonlal or visit her website charmainearjoonlal.wordpress.com.
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Gerry Moohr
Gerry Moohr
The Woman Who Sleeps with a DogEleven months after my husband died, on a sunless, empty Saturday in January, I sat in our now hollow, silent bungalow. A thought struck so intensely that I spoke out loud. “I need something alive in this house besides me.”
We had planned to add a dog to our household. Whiled away hospital hours, turning the pages of A Complete Book of Dogs, debating the merits of Collies and German Shepherds. Whatever kind or sex it was, we would name it “Crystal,” in honor of my husband’s family dog, a Collie.
I adopted a two-year old, fifty-pound shepherd/terrier male in need of a haircut. I call him Crys. He answers to Crystal, too.
On our first night together, I settled Crys on a thick bed of blankets in my bedroom. I figured he would be used to sleeping on the floor.
Not so.
When I woke the next morning, he was curled tightly in the southwest corner of my bed as far from me as possible. That he’d waited until I was asleep before sneaking onto the bed was proof he understood he was in forbidden territory.Gerry Moohr is an American writer who wrote for and about the factual world during a successful career in law. She now writes short-form essays that blend fact and fiction and narratives based on mostly true stories. Moohr’s hybrids have appeared in Shards, Write Launch, Persimmon Tree, Cagibi, and others. She lives and writes in Minneapolis and Houston, wherever the weather is better.
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Kate E. Lore
Kate E. Lore
Soup BeansWe aren’t from that kind of stock. We’re too poor for that. We use the bone for flavor. Get what little meat and fat can be pried from it and we don’t complain. I suppose it never occurred to me. Never knew what we were lacking.
Ingredients
• 1 pound pinto beans
They should be sorted and rinsed but I doubt he ever bothered with that.
• 12 cups water
He’d just fill the pot. Eyeball it. Turn on the faucet. Position the pot beneath the stream. Let the tide rise and rise until it catches up with the beans. Let the lines meet. Once the beans begin to boil, you’ll have to hover over the pot, keep adding water, fighting the steam, that dissipation of water, like the evaporation of memories over time. The gradual loss.
• 1 ham hock
Some people use a chunk of ham. Cut it into cubes. We aren’t from that kind of stock. We’re too poor for that. We use the bone for flavor. Get what little meat and fat can be pried from it and we don’t complain. I suppose it never occurred to me. Never knew what we were lacking.Kate E. Lore is an award-winning writer, artist, and creator. Kate is openly queer, legally neurodivergent with diagnosed autism, ADHD, and PTSD-related anxiety. Born to a single widowed mother and raised in a low-income household, Kate is the youngest of four, second to graduate high school, and first bachelor’s degree and MFA in the family. Their fiction, nonfiction, and graphic narratives have been widely published, including in Longridge Review, Bending Genres and Door Is A Jar.
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Harry Thomas
Harry Thomas
My Fictional First BoyfriendIn high school, my friends and I spent weekends playing roleplaying games, rolling oddly shaped dice and creating characters, second selves we inhabited for as many consecutive hours as we could steal away from the real world.
Depending on the game, these alter egos were jet-setting super spies or starship captains, Marvel super-heroes or half-elven wizards. But those characters, and the games we played them in never lasted.
Star Wars lasted.
Star Wars, my senior year of high school, was epic. Roleplaying games were usually just me, my friend Jonah, and his older brother Bruce. But for The Star Wars Roleplaying Game (Second Edition), we assembled a bigger group: me, Jonah, Bruce, our friends Marcus and Fred, and Molly, who was that rarest of things to find in a high school gaming session—a woman. I don’t know exactly why Molly or the boys liked playing Star Wars so much. But me? I was seventeen, closeted, dating a girl, and living with Republican parents in North Florida. I desperately wanted to be someone else, to face a different set of problems.Harry Thomas is the author of an academic study of effeminacy (Sissy!, University of Alabama Press, 2017), and he and his husband live in Durham, North Carolina. His work in this issue is taken from a work-in-progress called The Violet Cemetery, a collection of essays in which each essay is dedicated to a man who shaped his sense of what an adult gay life could be like.
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Dana Josslin
Dana Josslin
Empty SpaceA woman on a motorcycle sped past, a blur of blue. She vanished around a bend. I walked along a high, winding road in Phuket, on my way to pick up laundry. Below the cliff, waves unrolled in lacy layers. The motorcyclist reappeared and skidded to a stop.
“Want a ride?” With her apple cheeks and thick black curls, she reminded me of my best friend’s sister in high school.
“Yeah,” I yelled, and raced across the street.
She turned her bike around. I straddled it and wrapped my arms around her waist, hugging her tight, all but burying my face in her wall of curls.
“Back up,” she said gently, pointing down. Her bike was a two-seater, the second seat slightly raised behind the first. I’d squeezed myself crotch-first into the driver’s seat behind her. Blushing, I scooted back.
She gunned the engine, and we tore off, blazing down the road. I squinted against the warm, salty wind. Her curls whipped my face. Neither of us wore helmets. If I died in a wreck with the ocean below me and this woman’s hair in my mouth, I was cool with it. There were worse ways to go.Dana Josslin was the showrunner of Netflix’s award-winning Being Dad, and has supervised docuseries for Discovery, History and MTV. Her personal essay Confessions of a Failed Badass appeared in The Examined Life Journal. A Hugo House Book Lab participant, she recently completed a novel and is currently at work on a memoir.
Contributing Artists
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Eyes of the Wild, Sebastian Palmay
Sebastian Palmay
Eyes of the WildSebastian Palmay is a self-taught, Hungarian photographer from Slovakia. Though his fascination with photography began early, it wasn’t until his mid-twenties that he became serious about photography. His early work was diverse in focus, but has gradually shifted towards wildlife, which is now his primary subject. In 2021, his work was among the top sixteen submissions out of more than seven thousand submissions in Eye on Nature, the largest wildlife photography competition in Ireland. In 2023, his work was among the top twelve submissions. He has been named photographer of the month multiple times within the esteemed European Wildlife Photography group. He lives in Ireland.
sebspixels.com -
The House at the End of the World, Jean Mallard
Jean Mallard
The House at the End of the WorldJean Mallard is an artist who lives in Naples, Italy. In 2015, he joined the National School of Decorative Arts in Paris, where he learned comics, cartoons, screen printing and engraving. Mallard’s work demonstrates his use of watercolor and gouache techniques, which are inspired by Russian painters, Indian miniatures, and Japanese prints. Mallard’s work has been selected at the Bologna Illustration Fair in 2018 and 2020. He received the Grand Award in Bologna in 2018.
jeanmallard.com
Instagram: @jean.mallard