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Letter from the Editor
Janna Marlies Maron
Stories reminds us of what’s important
So often I get frustrated that things aren’t happening as quickly as I’d like. I’m at the beginning of what feels like a long journey of recovery from a relapse of multiple sclerosis.
And yet, I have done so much in a short three months. I was the maid of honor in my younger sister’s wedding; I underwent a five-day course of IV infusion steroids in an attempt to alleviate neuropathy; I flew to Iowa City, Iowa with my husband Jeremy to see a specialist doctor; I started a new monthly infusion therapy for treating MS; Jeremy and I moved our second home in Napa to a smaller apartment; I went on a week-long yoga retreat in Mexico where I started to feel better for the first time in months.
The weekend Jeremy and I moved into our new Napa apartment, my parents drove from Sacramento to help us. I spent the morning with them—loading their pick up truck, stopping in at Jeremy’s winery for a quick visit, having lunch, and driving back to Sacramento.
Jeremy was showing us the winery’s library when my mom got a call from her brother. She had been home from Ohio for just four days after spending three weeks with her mother, my dear sweet Omi, who was nearing the end of her life. Mom was having a hard time getting service and the call kept dropping. She sat down on one of the blue velvet couches and used my phone to call him back.
I looked at her and I knew.
She hung up, turned to hug me, buried her face in my shoulder, and cried.
In that moment I knew I was exactly where I was supposed to be, and everything that I had gone through, the steroids, finding the apartment, the move, all of it was so that I would arrive right there, right then, to be next to my mom when her mom died.
I share all of this not as some random update, but because most of the time it’s hard to notice and appreciate divine timing in our own lives. But that’s why we have stories. Stories remind us of what’s important—that something IS happening. You may not see it or realize it right now, but something is happening and you’re being prepared for what’s to come.
We don’t choose themes for our issues. Yet serendipity, like the magic of divine timing in our lives, is real. It comes as no surprise that the seven true stories in this spring issue resonate with vulnerability, hope, and faith for healing. We bring you stories of shame associated with the body and finding self-love, the different roads to recovering from loss and grief, and at their core, the myriad ways that love—for ourselves, for others, for all things great and small, including beloved family dogs and Mom’s delicious artichokes—is the beating heart of what makes our stories matter.
Here’s to telling stories without shame,
Janna Marlies Maron
Editor & Publisher
Contributing Authors
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Mary Morris
Mary Morris
Body Worship“My six-year-old daughter is obsessed with the fat of my upper arms.”
When I wear tank tops or cap sleeves, Hazel slides from a hug to wrap her small, strong fingers in the loose flesh there, praising its coolness, rubbing her cheek into pillowy handfuls of skin. She calls them “wings,” with a kind of awe. Her brown eyes gleam, adoring as a spaniel’s, sharp with an innocent knowledge of my embarrassed pleasure inthis physical display of affection.
Hazel’s overt delight in this part of the overlarge body I have struggled with for decades humbles, unsettles, and delights me. It is the opposite of her tickle-torture, something that urges me to gather close rather than push away.
It is a miracle of love, this worship of a body I have so often felt trapped inside.
Mary Morris’s work has appeared in Hypertext, Carve, Booth, Mom Egg Review, and elsewhere; her first novel, Mirror Witch (an urban-fantasy romance co-written as Phoebe Walker), is forthcoming in spring 2023 from City Owl Press. Mary holds an MFA from SIU-Carbondale and ghostwrites nonfiction books for Scribe Media. She lives in the wilds of southeastern Illinois with her husband, her children, and miscellaneous cats. Find her on Twitter @Mary_Morris_3 and at marymorris-writer.com.
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Molly Housh Gordon
Molly Housh Gordon
Nora in the Stars“There is a concept in contemporary physics called quantum entanglement.”
Einstein theorized an early version of it, though it mystified him. He called it “spooky action at a distance,” because it was so disturbingly inexplicable.
The basics are this: If two particles become entangled in a quantum state, they will remain interconnected, even if separated by a vast distance. United always, an entangled particle on earth will vibrate and move simultaneously with its partner, even if that partner is cast out into the stars.
I am convicted by science, though its discoveries often fill me with dread. This one is the deepest balm I’ve ever been given— what has been plaited cannot be unplaited.
•••
The night before she is to lie very still in an MRI machine to look for signs of cancer in her brain, my four-year-old daughter is floating in the bathtub. Her hair—rose gold, copper, yellow, and pink—floats around her
face. Her eyes have never looked bigger, staring up at me in the dark and candlelight. She sits up with water streaming down her back and asks me, “Mom, where do people go when they die?”
I take a moment. I take a breath.
“We can’t remember what it was like,” I tell her, “But I believe we go back to where we were before we were born.”
“Oh,” she says, in perfect confidence, “it must be like floating in the bath.” She leans back again, her hair fanning out around her head. The candle flames reflect like stars about her face.
Molly Housh Gordon is a Harvard Divinity School-trained Unitarian Universalist Minister and a doctoral student in Creative Writing and Public Theology at Pittsburgh Theological Seminary. She has work published in Preaching As Resistance, enfleshed, and UU World Magazine, and is also working on a growing collection of picture book manuscripts. She lives with her spouse and two young children in Mid-Missouri, where she serves the Unitarian Universalist Church of Columbia.
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Janice Post-White
Janice Post-White
Truth and Consequence“I’ve been in limbo for two months, unsure how to make sense of my body parts that no longer receive signals.”
I sit tentatively in the barely lit, airless, windowless clinic room, my back straight and stiff in the tight plastic corset that holds my spine in anatomical position. In the lingering fog of anesthesia, I’ve been studying nerves and sensory and motor pathways to understand the new pain down my leg, the unsettling numbness and weakness, and the need to manage complex bowel and bladder dysfunction while wrapped breathless by a plastic boa constrictor.
The clinic staff tell me the doctor doesn’t usually see his patients until three months post-op. Maybe I’m not even supposed to be in this obscure, stagnant space.
As a nurse, I should know which nerve innervates which muscle and I should understand why mine aren’t responding. As a patient, I need an explanation. I need answers, and guidance for moving forward in this suddenly unpredictable body. I breathe as deeply as I can, without the blunt edges piercing my ribs.
Janice Post-White is a cancer nurse, researcher, writer, and mother of a childhood cancer survivor. She writes from personal and professional experience on survivorship and resilience in serious illness. Her memoir, Standing at Water’s Edge, won first place in Consumer Health for the AJN 2022 Book of the Year Awards. Find her other writing in HuffPost, Ruminate, Snapdragon: A Journal of Art and Healing, Wising Up Press, and at janicepostwhite.com.
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Jade Sham
Jade Sham
Collective Nouns for Girls“A Mimicry of Girls
Before I am girl, I am almost boy.”I am polo shirts and pleated shorts. I am a low ponytail so no one can tell my hair is long. I am four square at recess instead of playing fairies. I am not boy until I beat the boys up for calling Claire and me lesbians when we beat them at four square. I am not “boy,” which is a synonym for anything it wants to be—for brave, for loud, for astronaut, for president, for tough, for interesting, for anything. I am girl, a synonym for trapped.
An Apology of Girls
We tuck ourselves against the wall in the hallway, so nobody notices us. Thirteen and nervous about our knobby knees or how our stomachs press against the polyester of our plaid Catholic school skirts. We swallow our answers in class like our neatly cut sandwiches—nobody wants to be a know- it-all. We whisper about Harry Potter and Percy Jackson. We gush about the boys in class we like but will never tell. We smile and say everything is fine, even when it’s not. Even when we’re anxious. Even when the other girls leave us out of conversations about school dances and training bras. Even when my mom’s in the hospital.
Jade Sham is a recent Kenyon College graduate and a Texas native. During her time at Kenyon, she worked at the Kenyon Review and was Editor in Chief of the longest running student literary magazine. This is her first publication.
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M. Tamara Cutler
M. Tamara Cutler
Alcachofa“The first thing I noticed upon entering my mother’s casita was the perfumed humidity.”
Erect in her chair with her palms on her thighs, she gazed downward toward the earth, a gentle smile across her face. At eighty-three, my mother had recently launched a meditation practice. This wasn’t the first time I’d found her in a deep state of measured breathing.
She wore her Moroccan kaftan dyed fresh-kill red, the black embroidery across her chest like a diagram of a circulatory system. An arrangement of orange sections, sliced avocado, and walnuts in a Berber ceramic bowl sat on the table in front of her, a still life waiting to be painted. Birdsong accompanied the hum of the refrigerator fan, while the voice of an English actor reading Poirot lulled from her laptop speaker.
I wouldn’t have disturbed her if I hadn’t noticed the sauté pan of quartered artichokes on the marble countertop behind her. I’ve always admired how the spiky vegetable requires methodical patience to savor its heart. I had to eat one, if not two, and walked past her with light steps.
M. Tamara Cutler is a screenwriter who brings a visual arts background to her work. Essays are published or forthcoming in Hunger Mountain Review, Longridge Review (finalist for the Barnhill Prize in creative nonfiction), Please See Me, Trail Running magazine, and the Brevity Blog. She has a diploma in Advanced Creative Writing – Nonfiction from Cambridge University and an MFA in Film from NYU. She is the founder of That Place You Love’s Gimme Truth Project, thatplaceulove.substack.com.
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Shawn Lisa Maurer
Shawn Lisa Maurer
On (Not) Saying Goodbye“Once we made the decision, everything moved quickly. Sunday my husband and I cried, talked to our children, and cried some more.”
I had wanted to be present when Atticus, our thirteen-year-old Siberian husky, was put to sleep the next day, but we couldn’t leave our children, eleven and eight, home alone and didn’t want to bring them, so we agreed Brit would go by himself. Monday morning, we gave Atticus his last meal, and the four of us brought him on one last walk in the field. I took pictures. Even at the end, Atticus looked handsome—the unusual fleur-de-lis marking on his face, dark fur around his blue eyes, his thick grey coat.
When he returned from the vet, Brit told me we’d been right to do it—that after the injection Atticus looked the same as he had alive—that our dog was ready, that it was time. A few days earlier, he’d said we needed to decide if we were keeping Atticus alive for him or for us. That last Sunday, I spent hours lying with him on the wooden floor or on the kitchen rug, telling him it was okay, that we would really miss him but he could go, it was okay for him to go.
Shawn Lisa Maurer is a professor of literature at The College of the Holy Cross, where she teaches courses on coming-of-age narratives in fiction, creative nonfiction, and film. Her most recent scholarship, which explores adolescence in Jane Austen, has given new insight into the tangle of emotion at the heart of When Did You Know?, the memoir she is writing about her mother’s death when she was a teenager. She lives in Providence, Rhode Island.
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Katherine Selinsky
Katherine Selinsky
Quitting“Backpacking is neither nature nor nurture for me.”
I generally dislike being uncomfortable, and before I met my husband, the closest I’d ever come to camping was spending the night sleeping on the floor of a Marriott suite. The thought of carrying my food, water, clothes, and bed on my back seemed masochistic.
And yet, somehow I found myself in Yosemite National Park with a forty-five pound pack on my back, about to embark for four days on the North Rim trail. As I started hiking, I followed my husband, Steve, and our two friends as we went—it seemed to me—straight up a mountain side. There was no real trail to speak of—just sandy dirt, and nothing tall enough to shade us from the heat of the sun. I immediately realized I was in over my head. I’d gone about one- hundred feet before I was short of breath, overheating, and in need of a water break.
This was only my second backpacking trip, and I’d had good intentions of getting in premiere shape. But even if I’d realized my good intentions, I had underestimated this challenge.
Katherine Selinsky lives and writes in an adorable 123-year-old home in Minneapolis. Through her communications and grants work, she harnesses the power of words for social good. Her creative nonfiction has been featured by Michigan Public Radio and Failure Lab. Find more at katieselinsky.com.
Contributing Artists
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Camo, Thandiwe Muriu
Thandiwe Muriu
CamoThandiwe Muriu is a self-taught photographer born and raised in Nairobi, Kenya. Pursuing photography from an early age, she is passionate about helping brands communicate through photography so they can get their message across in ways that will not only keep their audiences engaged but, also help them get the desired response.
Over the years, she has developed a particular interest in showcasing Africa’s unique mix of vibrant cultures, colours and people. Through her personal work, she celebrates her African heritage and tackles important issues such as identity and self-perception using the rich colours and vibrancy the continent is so well known for. Thandiwe’s signature style is colourful, clean and bold.
thandiwemuriu.com
@thandiwe_muriu -
Just Be, Christina Romeo
Christina Romeo
Just BeChristina Romeo is an artist whose use of bold colors and surrealistic and fantastic imagery creates works of vibrant and startling texture and character. Her work is influenced by natural colors, textures, and patterns, which are combined to create dreamlike and original images. She often uses mixed media including acrylic, paper, oil pastel, fabric, and stitching. She lives in Oregon, where she works in the healthcare field.
cromeola.com
@cromeola.illustrations