What’s inside the issue?
Click the links for a teaser excerpt of each piece…
Letter from the Editor
Janna Marlies Maron
What is it that I must do?
For nearly five months now I have been dealing with debilitating neuropathy throughout my body, and it’s been the worst in my hands. My capacity for work is the most limited it has been since my diagnosis with multiple sclerosis ten years ago. Dealing with a chronic illness like mine means that I never know when it will flare up, or how long it will last.
I share this to tell you that a big part of what’s on my mind lately is: how can I move forward in a way that is manageable and makes sense for me? I’m thinking a lot about how to live with that reality. If I can’t do everything that I’m used to doing, what is it that I must do? That only I can do?
Guess what I haven’t been doing while I’ve been ill? Writing, typing or using the computer keyboard, taking appointments, responding to emails, washing my hair, doing my own nails, opening bottles with a screw cap, scheduling calls or events, laundry, washing dishes, cleaning the litterbox, making the bed, putting clutter away, going through the mail, making future plans.
Even if you don’t have an illness like mine, I believe you should still be asking yourself that same question. Especially if you’re someone who wants to write a book, share your story with the world, or pursue any kind of creative life. Is that something you must do? If you answered yes, I can guarantee you that it’s also something that only you can do.
The question is especially important at the start of a new year. It’s the perfect opportunity to guard against getting sucked into things that don’t matter and protect your time and energy so that you can pursue the life you want to live.
For me, every time I’m faced with feeling overwhelmed or stretched too thin, or too unwell, one of the things that I must always do continues to be publishing this magazine. You don’t have to look any further than the stories in this issue to understand why. This winter we bring you seven unique voices—each expressing a vulnerable, true story. As always, the essays are interspersed with bold, inspiring art. Where else but between the pages of under the gum tree can you rely on finding this rare combination, issue after issue? We have stories that examine the liminal spaces between life and death, and between dreams, wishes and reality. Others chart the changes that accrue over time to our bodies and our minds, sometimes with an acute awareness that something very precious happened when we were too busy to notice.
We hope you are inspired to do what matters most to you. Life is too precious not to.
Here’s to another year of telling stories without shame.

Janna Marlies Maron
Editor & Publisher
Contributing Authors
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AnnMarie Roselli
AnnMarie Roselli
Burying the Dead TwiceThere were endless days our sneakers flashed solitary stars, and we played outside till the sky turned a homework shade of purple.
We left the park at the end of the street and headed home to finish our school assignments before dinner. Mom’s bright face, waiting at the screen door, made the nights seem less frightening. Weekends passed too quickly. On Saturdays, Mom usually asked Dad for five donation dollars. Sunday mornings, she’d root around for the tithing envelope stuffed somewhere in her exploding bag before we packed into the station wagon bound for church. Upon arriving, my siblings and I jammed ourselves into a pew, like six little ducks in a row flapping silent wings for our mom’s heavenly choir solos.
AnnMarie Roselli’s collection of illustrated poetry, Love of the Monster, was published in 2016. Her writing has appeared in hippocampus magazine, Barren Magazine, Cagibi and others. For eleven years, AnnMarie was an art director for Prentice Hall Educational Publishing, where she won several New York Book Show awards. She’s nurtured a lifelong passion for word and image blending, shown her artwork, served as a substitute teacher and a caregiver, the latter two providing deep inkwells. Learn more at anntogether.com
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Doug Smith
Doug Smith
Do You Know What I Keep Thinking About?That night the kids slept over at your sister Marie’s and we had dinner at Pignoli.
You remember, the Italian place across from the Park Plaza Hotel? I don’t know how we could afford it— spending our car payment on a single meal. Maybe I had just gotten a bonus.
Doug Smith has spent twenty-five years designing and building products to teach children to read—books, iPad games, and instructional software. A graduate of the Memoir Incubator at Grub Street in Boston, he is working on a memoir about how families negotiate death and grief.
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Leanne Sowul
Leanne Sowul
How to Send Your Child off to Kindergarten (The Day after a School Shooting)1.
Wake early, if you have slept at all.
2.
Pack your child’s lunch—a sandwich made from soft bread, baby carrots, apple slices, a piece of chocolate candy. Imagine the crusts of bread strewn across the floor, trampled under escaping feet. Wince when you take a bite of carrot and hear the snap-crack echo through your kitchen.
Leanne Sowul is an award-winning writer and music teacher. Her writing has appeared in JuxtaProse, hippocampus magazine, and Rappahannock Review, and in live performances such as Read650’s “Gratitude” show at Lincoln Center and “Voices of Hope” at Carnegie Hall. Leanne writes historical fiction and flash creative nonfiction. She’s also a mother of two and an elementary band teacher. Learn more at leannesowul.com
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Jeffrey G. Moss
Jeffrey G. Moss
Bruce and the Zombie ApocalypseIt’s a challenging trek to Mom’s house in southern Jersey, one hundred or so miles on busy, congested Long Island and New Jersey highways.
On a good day, the one-way trip takes two hours and change, on a bad day, four or more. It’s taxing emotionally, too. Her health issues are many—COPD necessitating 24/7 oxygen, kidney failure requiring three times a week dialysis, congestive heart failure, incessant infections around a recent surgical site, and more. Due to Covid restrictions I can’t enter the rehab facility, so I’ve planned this visit to coincide with warmish early winter weather on a non- dialysis day. I’ve stowed a camping chair in the trunk. We will visit through the window.
Jeffrey G. Moss is a writer whose creative nonfiction has appeared in Bending Genres, Cagibi, and Hunger Mountain Review. He will be dancing and singing and crying in various venues during the 2023 Bruce Springsteen and the E Street Band tour. Find him on Instagram @jeffgm
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Siarra Riehl
Siarra Riehl
Still SmilingAfter it happens, after I recover, I ask myself—what is the shape of a smile?
Is it the curved U placed just under the nose, or the hills of an M produced by the eyes? But those other voices—of nurses, friends, co-workers, strangers, family—don’t seem to shush.
Siarra Riehl lives and creates on Treaty Six land with her wife and two cats. A writer, performer, and teacher, she holds an MFA in Writing from Vermont College of Fine Arts. Siarra’s fiction received an honourable mention in AWP’s 2020 Intro Journals Project, and her work has appeared in Zone 3, Fatal Flaw, The Dillydoun Review, Landing Zone, and elsewhere.
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Vivian Lee Croft
Vivian Lee Croft
Beach HairI love the way my hair feels after it’s salt-dried of dripping ocean. Wavy. Crumply. Briny.
Not as soft as the sand, though it holds sand in tiny clumps along the part. The bottom half blonde and beachy. The top half natural with springy silver strands urgent through thickly chunked bangs that I’ve been cutting myself. It’s been a year since I visited a salon, had a cut, indulged in color. For most of my life I cut my own hair. I kept it short after high school. I layered. I fringed. I lined my bangs parallel with and just below my brows. I colored from a box. I could do that. Why pay fifty bucks for someone else to do it.
Vivian Lee Croft is a nonfiction writer concerned with home, memory, and trauma. She founded Write Pittsburgh, a member of Dave Eggers’ International Alliance of Youth Writing Centers.
A Whitford Fellow, she received an MFA in Creative Writing from Chatham University. She was awarded 2020 residencies at Tongue River Artist Residency and Pittsburgh’s City Books. She edited We Are All Related by photographer Andrea London. Vivian’s writing is published in F(r)iction and hippocampus magazine. -
Sue William Silverman
Sue William Silverman
The Enchanting SorrowsPrologue
I sit on a stool in Caribbean sunlight as a fortune teller asks to see my palm.Her booth, decorated with seashells, mirrors, and scarves, is in Emancipation Park crowded with Carnival food stands and steel-drum bands. I’m only vaguely aware of the Calypso music, the swarm of dancers. The fortune teller, in a red madras dress, sets down her palm-leaf fan. Bending close, she traces the lines on my sweating hand as the blue scarves billow in trade winds. Her predictions are soft blossoming promises—sweet love, sweet marriage, sweet babies. In fourth grade, I am young enough to believe her foretelling, to believe the story she tells is my story.
Sue William Silverman is an award-winning author of seven books of nonfiction and poetry. How to Survive Death and Other Inconveniences won the gold star in Foreword Reviews Indie Book of the Year Award and the Clara Johnson Award for Women’s Literature. Other books include Love Sick: One Woman’s Journey through Sexual Addiction, made into a Lifetime TV movie, and Because I Remember Terror, Father, I Remember You, which won the AWP Award. She teaches at Vermont College of Fine Arts.
Contributing Artists
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Bone by Bone, Sharon Covert
Sharon Covert
Bone by BoneSharon Covert is a photographer who has a strong focus on conceptual self- portraits and believes art has the power to heal. She is both enamored and inspired by fairytales, myths, folklore, nature, and all things magical. Her self- portraiture combines anonymity with symbolism, surrealism, and pictorial qualities. She seeks to highlight the beauty in darkness, and aims to bring the viewer into her magical world. Using herself as the subject in her conceptual art, she expressed her deepest darkest thoughts and secrets. She resides in Tinton Falls, New Jersey.
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Der Wald, Mariken van Heugten
Mariken van Heugten
Der WaldMariken van Heugten is an artist whose work is inspired by the natural forms in and around the mountainous Lake Constance region in Europe. She works with ink for its unique way of flowing and drying, which allows for delicate transparencies – a process that is unpredictable, and yields results that are finely textured and organic.